Includes three full-length programs with an unprecedented collection of interviews with researchers, eyewitnesses, experiencers, and the best-known, most credible UFO authorities in the world today.

Episode one: THE VISITORS: Traces UFOs throughout history, including sightings by the world?s most famous people, and an astounding collection of UFO photos and videos which seem to defy explanation and science.

Episode two: STRANGE ENCOUNTERS: Explores terrifying tales of alien abductions, disturbing animal mutilation cases and mysterious crop formations.

Episode three: THE GOVERNMENT COVERUP: Examines how governments, especially our own, have been hiding the truth about secret UFO studies, astronaut encounters and military battles with alien craft. We also take viewers along with us on our unprecedented trip to Russia, where we investigate UFO secrets from behind the once Iron Curtain.

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This documentary chronicles the sickening depths to which our republic has fallen. Veteran documentary filmmaker and conspiracy personality Alex Jones conclusively proves the existence of a secret network of FEMA camps, now being expanded nationwide. The military industrial complex is transforming our once free nation into a giant prison camp. A cashless society control grid, constructed in the name of fighting terrorism, was actually built to enslave the American people. Body scanners, sound cannons, citizen spies, staged terror and cameras on every street corner — it’s only the beginning of the New World Order’s hellish plan.

This film exposes how the “Continuity of Government” program has established an all powerful shadow state. Prepare to enter the secretive world of emergency dictatorship, FEMA camps, and a shredded Constitution. Witness police and military savagely attacking innocent citizens as our own government unleashes false flag operations to justify its oppression.

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By highlighting the words of people like Paul Wolfowitz, Michael Mullen, David Cameron, Gordon Brown and many many others, Invisible Empire dispenses with the conjecture and sticks to the cold hard facts. This movie is guaranteed to wake up even the most ardent skeptic to the manifestly provable acceleration towards an authoritarian planetary regime that intends to control and regulate every aspect of our existence.

Invisible Empire is all conspiracy and no theory – proving beyond doubt how the elite have openly conspired to insidiously rule the globe via the engines of the CFR, the United Nations, the Trilateral Commission, and the Bilderberg group.

The film traces the lineage of the evolution of global governance from Samuel Zane Batten’s 1919 manifesto New World Order, through to Hitler’s vision of a 1000 year Reich, to the modern incarnation of the conspiracy which has its roots in the evil deeds of people like George H. W. Bush, David Rockefeller and Henry Kissinger.

Invisible Empire catalogues the primary criminal enterprises through which the agenda is financed, operated and advanced – government controlled drug-running, false flag terror, banking scams, and state sponsored assassination. Jason Bermas presents Invisible Empire: A New World Order Defined produced by Alex Jones.

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From New Orleans to India to New York City, armed with little more than cheap thrift-store suits, the Yes Men squeeze raucous comedy out of all the ways that corporate greed is destroying the planet.

Bruno meets Michael Moore in this gut-busting wake-up call that proves a little imagination can go a long way towards vanquishing the Cult of Greed.

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This mission has brought him to Taiji, a town that appears to be devoted to the wonders and mysteries of the sleek, playful dolphins and whales that swim off their coast. But in a remote, glistening cove, surrounded by barbed wire and “Keep Out” signs, lies a dark reality. It is here, under cover of night, that the fishermen of Taiji, driven by a multi-billion dollar dolphin entertainment industry and an underhanded market for mercury-tainted dolphin meat, engage in an unseen hunt. The nature of what they do is so chilling and the consequences are so dangerous to human health that they will go to great lengths to halt anyone from seeing it.

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McKenna expressed “novelty” in a computer program, which purportedly produces a waveform known as timewave zero or the timewave. Based on McKenna’s interpretation of the King Wen sequence of the I Ching, the graph appears to show great periods of novelty corresponding with major shifts in humanity’s biological and cultural evolution. He believed the events of any given time are recursively related to the events of other times, and chose the atomic bombing of Hiroshima as the basis for calculating his end date in November 2012. When he later discovered this date’s proximity to the end of the 13th b’ak’tun on the Maya calendar, he revised his hypothesis so that the two dates matched.

The first edition of The Invisible Landscape refers to 2012 (as the year, not a specific day) only twice. McKenna originally considered it an incidental observation that his and José Argüelles dates matched, a sign of the end date “being programmed into our unconscious”. It was only in 1983, with the publication of Sharer’s revised table of date correlations in the 4th edition of Morley’s The Ancient Maya, that each became convinced that December 21, 2012 had significant meaning. McKenna subsequently peppered this specific date throughout the second, 1993 edition of The Invisible Landscape.

It voices the opinions of farmers in disagreement with the food industry and details the impacts on their lives and livelihoods from this new technology, and shines a light on the market and political forces that are changing what we eat.

The film decries the cost of a globalised food industry on human lives around the world, and highlights how international companies are gradually driving farmers off the land in many countries. Potential global dependence of the human race on a limited number of global food corporations is discussed, as is the increased risk of ecological disasters — such as the Irish potato famine (1845–1849) — resulting from the reduction of biological diversity due to the promotion of corporate-sponsored monoculture farming.

The issue of incorporating a terminator gene into plant seeds is questioned, with concern being expressed about the potential for a widespread catastrophe affecting the food supply, should such a gene contaminate other plants in the wild. Legal stories reported by the film related how a number of farmers in North America have been sued by the Monsanto Company; and the defendant of the Monsanto Canada Inc. v. Schmeiser case is interviewed.

The film was written and directed by Deborah Koons Garcia, produced by Catherine Butler and Koons Garcia.

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With nutritionally-depleted foods, chemical additives and our tendency to rely upon pharmaceutical drugs to treat what’s wrong with our malnourished bodies, it’s no wonder that modern society is getting sicker. Food Matters sets about uncovering the trillion dollar worldwide ‘sickness industry’ and gives people some scientifically verifiable solutions for overcoming illness naturally.

In what promises to be the most contentious idea put forward, the filmmakers have interviewed several world leaders in nutrition and natural healing who claim that not only are we harming our bodies with improper nutrition, but that the right kind of foods, supplements and detoxification can be used to treat chronic illnesses as fatal as terminally diagnosed cancer.

The focus of the film is in helping us rethink the belief systems fed to us by our modern medical and health care establishments. The interviewees point out that not every problem requires costly, major medical attention and reveal many alternative therapies that can be more effective, more economical, less harmful and less invasive than conventional medical treatments.

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